Jesse Pinkman (Aaron Paul) in "El Camino - Breaking Bad Movie". (Foto: Ben Rothstein / Netflix). Nach dem legendären Serien-Finale von. Das Netflix Fernseh-Event El Camino: A Breaking Bad Movie verschafft Fans der Drogen-Serie Breaking Bad ein Wiedersehen mit Jesse Pinkman (gespielt von. EL Camino: A Breaking Bad Movie – Dutch Movie Wall Poster Print - 30cm x 43cm / 12 Inches x 17 Inches günstig auf bena-rt.com: Kostenlose Lieferung an den.
El Camino: Ein „Breaking Bad“-FilmDas Netflix Fernseh-Event El Camino: A Breaking Bad Movie verschafft Fans der Drogen-Serie Breaking Bad ein Wiedersehen mit Jesse Pinkman (gespielt von. El Camino: Ein "Breaking Bad" Film ein Film von Vince Gilligan mit Aaron Paul, Jesse Plemons. Inhaltsangabe: El Camino: A Breaking Bad Movie. Verleiher. Das Netflix Fernseh-Event El Camino: A Breaking Bad Movie verschafft Fans der Drogen-Serie Breaking Bad ein Wiedersehen mit Jesse Pinkman (gespielt von.
El Camino: A Breaking Bad Movie Navigation menu VideoEL CAMINO: A Breaking Bad Movie Trailer (2019) Netflix
Andere Rancher El Camino: A Breaking Bad Movie aufgegeben. - „El Camino“ auf Netflix: Warum das Ende des „Breaking Bad“-Films zu mutlos istUnd Menschen, die er liebt, gibt es, Balanceakt Film auf den Sohn seiner ermordeten Freundin Andrea, auch keine mehr.
Skinny Pete Todd Terry SAC Ramey Julie Pearl ADA Suzanne Ericsen Gregory Steven Soliz TV News Anchor Larry Hankin Old Joe Jesse Plemons Todd Tom Bower Lou Gloria Sandoval Sonia Tess Harper Pinkman Michael Bofshever Pinkman Danielle Todesco Reporter Scott MacArthur Aaron Paul: More Than Just Jesse Pinkman.
Edit Storyline Finally free from torture and slavery at the hands of Tod's uncle Jack, and from Mr. Edit Did You Know? Trivia The original title was "63" as it would effectively be the 63rd episode of Breaking Bad Goofs Following Breaking Bad , actor Jesse Plemons put on weight for his roles in Black Mass and season 2 of Fargo ; hence his weight as Todd in "El Camino" greatly differs from his weight during the final season of "Breaking Bad".
Quotes [ first lines ] Jesse : You know he's not gonna be happy. Mike Ehrmantraut : No. I suspect he won't. Only you can decide what's best for you, Jesse.
Not him, not me. Jesse : I'm out. Mike Ehrmantraut : Same thing I do with all the other money. How 'bout you, teenage retiree? You'll be livin' the dream.
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Face-Off: 'Downton Abbey' vs. Nominated for 4 Primetime Emmys. Edit Cast Cast overview, first billed only: Aaron Paul Jesse Jonathan Banks Mike Matt Jones Badger Charles Baker Skinny Pete Todd Terry SAC Ramey Julie Pearl ADA Suzanne Ericsen Gregory Steven Soliz TV News Anchor Larry Hankin Old Joe Jesse Plemons Todd Tom Bower Lou Gloria Sandoval Knowing they are being surveilled, Jesse calls his parents and feigns willingness to surrender.
After his parents and the police depart, Jesse enters the Pinkman home unseen and takes two pistols from his father's safe, a Colt Woodsman and an Iver Johnson Hammerless.
Jesse drives to Neil's shop, where Neil, Casey, and three friends celebrate with escorts and cocaine. Seeing the Woodsman in Jesse's waistband, Neil challenges Jesse to a duel for his share of the cash.
Jesse agrees, and when Neil reaches for his gun, Jesse shoots him with the Hammerless, which was concealed in his jacket pocket.
Casey fires at Jesse, but Jesse kills him with Neil's gun. Jesse collects the driver's licenses of the remaining men and lets them leave after threatening to return and kill them if they tell the police.
He recovers Neil's cash and departs after setting an explosion to cover his tracks. In a flashback, [N 7] Walter and Jesse have breakfast after a multi-day meth cook.
In the present, Ed drops Jesse off at a car parked near Haines, Alaska. Jesse gives Ed a letter for Brock Cantillo and acknowledges there is no one else he wants to say goodbye to.
Driving off, Jesse has a flashback to his time with Jane Margolis. Jesse drives on, smiling at the prospect of a new life.
While El Camino ' s plot focused on Jesse Pinkman escaping to Alaska, writer and director Vince Gilligan stated that thematically, the film was about Jesse transforming from a boy to a man.
He explained that while Jesse spent the entirety of Breaking Bad as Walter White 's partner, El Camino showed Jesse coming to terms with his past and making his own decisions, free of White's influence.
Club noted that in freeing his ambitions from Walter White's manipulations, Jesse found his own redemption and avoided his mentor's fate.
The opening flashback with Jesse and Mike also sets the theme of Jesse trying to start over while also making things right with his past.
Though Mike warned that the latter idea would be something that Jesse could never do, Sepinwall noted that Jesse is able to repay several of his emotional debts through rectifying gestures: giving a proper goodbye to his friends Badger and Skinny Pete , apologizing to his parents one last time, getting revenge against Neil and Casey, paying back his literal debt to Ed Galbraith , and sending his farewell letter of apology to Brock Cantillo.
Breaking Bad was often categorized as a modern Western ; this theme is also present in El Camino. Vince Gilligan , the creator and showrunner of Breaking Bad , had the idea for El Camino while writing the final season.
At the time of the conclusion of Breaking Bad , Gilligan offered two possible fates for Jesse: a more realistic one where he was caught by police a few miles from the compound, and a second, more optimistic one where Jesse got away but still had to cope with the terrible things he had witnessed throughout the series.
In the intervening years, Gilligan toyed with both approaches. Of the first, he considered the idea of Jesse hiding close to the Canadian border, getting lured back into crime to help a young woman in the town.
This version would end with Jesse in a jail cell in the concluding scene, imprisoned yet at peace for the first time.
Gilligan then scrapped the concept, sticking to the idea of Jesse escaping to Alaska. It was not until near the tenth anniversary of Breaking Bad that Gilligan started sharing the idea with former cast and crew members as a means to celebrate the milestone.
Gilligan had been involved with feature-length films before, but El Camino would be the first that he directed and produced. Though he still would have wanted to make the film, Gilligan stated that he likely would not have been able to had Saul been a flop.
Upon pitching his idea to Sony Pictures Television , the studio behind both Breaking Bad and Better Call Saul , the executives in the room quickly agreed to come on board.
With his script in hand, Gilligan then selectively shopped the film to a few potential distributors, settling on Netflix and AMC due to their history with the show.
Gilligan intended for the film to have a theatrical release, a goal he had sought while filming Breaking Bad , which Netflix had done for some of the show's season premieres in limited theatrical engagements.
The original idea for continuing Jesse Pinkman's story began as a short film or "mini-episode" of about 15—20 minutes.
One early suggestion Gilligan received was altering his proposed title — Gilligan originally had the idea of calling the project ' 63 , referring to its unofficial status as the 63rd episode of Breaking Bad.
Schnauz reasoned with Gilligan that Breaking Bad was in essence Walter White's story, whereas the film and its title should be unique in order to reflect that they were about Jesse Pinkman.
Gilligan agreed and eventually settled on the title El Camino , referring to Todd's car that Jesse drives away with in "Felina". Gilligan believed that because El Camino was a coda to Breaking Bad , the film would primarily appeal to fans and would not be as enjoyable to those who had not watched the series.
This influenced his decision to write the film as a direct continuation rather than inserting exposition scenes to try to attract new audiences.
However, he also believed that the three works existed together in a larger framework and that viewers would need to watch all of them together to receive the full experience.
Unlike most of his work from The X-Files and Breaking Bad , when he worked with one or more co-writers, Gilligan wrote the El Camino screenplay alone until he was ready to present it.
Upon completion of the script's first draft, Gilligan met with the writing staff of Better Call Saul , which was still airing at the time.
The purpose of the meeting was to not only ensure that the two projects' continuity would not interfere with one another but to also take in suggestions to improve his script.
The character was not initially in the story but after Saul showrunner Peter Gould read the first draft, he suggested that she could appear in the ending, "where it would mean the most to the audience".
After thinking about the suggestion for a couple of weeks, Gilligan incorporated the idea into his script. One of the biggest elements removed in later drafts was the very first thing that Gilligan wrote for the script: the contents of Jesse's letter to Brock.
Gilligan had planned on having it read in voice-over while Jesse drove through Alaska in the final scene; Paul described it as "the most honest, beautiful, caring letter imaginable — really, just pouring his heart out and saying he's sorry".
Gilligan subsequently decided it was not needed to conclude Jesse's story and went with the alternate ending featuring Jane.
Gilligan wrote the scene of Walter White and Jesse sitting in the diner in a light-hearted tone, with the intention of providing one last chance to see the two characters together as a final treat for the fans.
Producer Melissa Bernstein suggested adding a bit more gravitas to the scene in order to let it resonate further with the audiences.
Gilligan left most of the scene from the original script intact, but he and Bernstein came up with the line "You're really lucky, you know that?
That you didn't have to wait your whole life to do something special", tying the scene to the film's theme of Jesse finally taking control of his life.
Under the working title Greenbrier , a majority of the filming occurred in Albuquerque from November to February , with the overall shoot lasting 50 days.
The film was shot at a 2. Gilligan and cinematographer Marshall Adams chose this camera primarily for its quality in low-light filming , which the film would heavily feature.
The Alexa 65 would be used in conjunction with Arri Prime DNA lenses, which Adams said helped control depth of field by maintaining color contrast and balance.
To help receive dailies, production used FotoKem , who did the same work on both Breaking Bad and Better Call Saul.
The crew delivered footage with requested color changes to FotoKem members that were on-site, who then applied the changes to get the dailies out fairly quickly.
Gilligan wanted the film's cinematography to maintain the naturalistic look used on Breaking Bad and Better Call Saul while also expanding it. Adams specified this as the "realistic, practical-driven looks for night exteriors and low-light interiors that embraced all the colors and looks of Albuquerque, New Mexico " that he used on Saul.
Adams saw the film as a way to pay homage to original Breaking Bad cinematographer Michael Slovis. He applied the same principle for other scenes that used locations from the series, such as the compound and the vacuum store.
In order to distinguish the flashback scenes from the ones set in the present, Gilligan decided against using different color saturation. He instead chose to have flashbacks filmed in a "handheld" look while having the present-day scenes more anchored and locked-down.
This was inspired by the fact that much of Breaking Bad was filmed handheld. Filming primarily occurred at Albuquerque Studios , where both Breaking Bad and Better Call Saul were shot.
For the first, production designer Judy Rhee, who had worked on the fourth season of Better Call Saul , arranged the set to reflect the duality of Todd's character.
The initial living room appeared sunny, meticulous and clean, reflective of Todd's exterior " Boy Scout " personality.
However, the set became darker going further into his bedroom, indicative of Todd's sociopathic tendencies. Rhee also placed several childlike Easter eggs throughout the apartment to give a sense of the arrested development within Todd.
For the welding shop, Rhee wanted to maintain the accuracy of how a welding business appeared and match its exterior location, but also designed the set for the scene's stunts and necessary camera blocking.
The glass office in the back of the set was implemented to include breakage during the climax and enhance the scene's action.
Several locations from Breaking Bad were reused including the Pinkman residence, the strip mall that contained Saul Goodman 's office, and Ed Galbraith's vacuum repair shop.
Initially, the episode was supposed to include Ed Galbraith as a voice-over, as the episode's budget could not cover the cost of flying actor Robert Forster to Albuquerque and rebuilding the vacuum shop set.
However, producer Melissa Bernstein recognized that both Forster and the rebuilt set would be available as part of El Camino. She then arranged for Gilligan to shoot the Better Call Saul scene with Forster in person during the film's production, months before any other episodes were set to be filmed.
Another set from Breaking Bad that had to be rebuilt included the compound where Jesse was held captive. Despite resulting in a continuity error, his bloody handprint was not removed and was instead left as an intentional easter egg for fans.
The enhanced budget and filming schedule provided Gilligan a chance to capture scenes outside of Albuquerque, something he wanted but was unable to do during Breaking Bad.
As back road travel in the Painted Desert requires a permit, Gilligan received special permission from the Navajo Nation for filming.
An extra sequence filmed outside of New Mexico included the concluding scenes of Jesse and Ed Galbraith making their final exchanges, followed by Jesse driving towards his new life in Haines, Alaska.
While Gilligan wanted to use the Haines Highway to shoot on location, production found that option expensive and found a similar setting outside of Jackson, Wyoming.
During the day of filming, the crew took advantage of low cloud to naturally hide the Grand Tetons in the background; this allowed them to avoid using digital technology to remove the landmark in post-production.
The film was held in great secrecy from the pre-production stages. Certain cast members were approached for the film without knowing that it was for a Breaking Bad continuation, and some kept that fact secret from their families when production began.
Cranston would indeed appear in the film, flying to Albuquerque in a private jet to shoot his scenes during a January two-day break from his performance in the Broadway play Network.
To ensure that there were no paparazzi photos, Cranston was heavily disguised when he was escorted from and throughout the set.
Similar measures were taken to ensure that news of filming would not reach the locals, with cast and crew under tight restrictions about what they could say about the project.
Filming of Better Call Saul ' s fifth season took place shortly after El Camino finished shooting to take advantage of the assembled crew.
As such, cast members of Better Call Saul became aware of El Camino ' s existence but swore to secrecy on the project. The initial length of the film's rough cut was nearly three hours long, with Paul estimating that 30 percent of footage was left on the cutting room floor.
One story development removed during post-production was Jesse getting shot in the side during his final showdown with Neil and Casey. Dave Porter , El Camino composer .
The production retained the use of Dave Porter , who composed the score for all five seasons of Breaking Bad , as well as every season of Better Call Saul up to that point.
To prepare his score, Porter rewatched the series in order to select musical cues that he could revisit for the film. He described his main goal in designing the film's sound as wanting to link back to the score used in the series, but in a manner that it wouldn't feel jarring or strangely out of place.
Similar to his work in both series, Porter's score utilized a mix of electronic sounds and live instrumentation. This presented Porter the opportunity to further explore Jesse's state of mind and compose accordingly.
An official soundtrack was issued by Mondo on October 14, , nearly a full year after the film's release. The track double-LP featured Porter's score and many of the film's licensed tracks.
Licensed tracks were used sparingly in the film. Other licensed tracks include: . Netflix officially announced El Camino: A Breaking Bad Movie on August 24, , unveiling the title, description, poster, logo, teaser trailer and the October 11, release date for the film.
The first teaser released during the film's announcement featured a scene where the DEA interrogated Skinny Pete on Jesse Pinkman's whereabouts. Charles Baker reprised the role in the public's first glimpse of the film.
Netflix released its first trailer on September 10, , which solely consisted of Breaking Bad clips set to a cover of " Enchanted " [N 9] by Chloe x Halle.
Before the film's premiere, three additional promotional videos were released: a teaser clip of Old Joe speaking with Jesse on the phone, a video of Breaking Bad and Better Call Saul cast members reacting to comments on the trailer, as well as a two-minute behind-the-scenes featurette.
Before the release of the film, the Twitter accounts of Breaking Bad and Samsung US shared a countdown. The campaign saw the return of Breaking Bad and Better Call Saul character Huell Babineaux , with Lavell Crawford reprising the role.
The livestream would be watched by 3. Chemistry, the advertising agency behind the promotion, later submitted the campaign for the 12th Annual Shorty Awards under the name "Waiting with Huell".
The campaign entered under multiple categories, eventually earning the Bronze Distinction in Television. In conjunction with the release of El Camino on AMC, the network released a three-minute short video Snow Globe: A Breaking Bad Short on February 17, El Camino: A Breaking Bad Movie had its world premiere on October 7, , at the Regency Village Theatre in Los Angeles , with multiple cast members from the film, Breaking Bad , and Better Call Saul in attendance.
On the day of El Camino ' s release, Robert Forster , who played Ed in both the series and film, died of complications from brain cancer, at the age of Awards Tour.
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How did you buy your ticket? View All Videos 8. View All Photos Movie Info. Jesse Pinkman flees from the police and tries to escape his inner turmoil.
Vince Gilligan. Melissa Bernstein , Vince Gilligan , Mark Johnson , Diane Mercer , Charles Newirth. Oct 11, American Movie Classics, Sony Pictures Television, Netflix.
Aaron Paul Jesse Pinkman. Matt L. Jones Badger. Charles Baker Skinny Pete. Vince Gilligan Director. Vince Gilligan Screenwriter.
Melissa Bernstein Producer. Vince Gilligan Producer.Der Ex-Drogenkoch Jesse Pinkman befindet sich auf der Flucht vor der Polizei und anderen Verfolgern. Um noch eine Art Zukunft zu haben, muss er versuchen, nicht geschnappt zu werden und sich mit seiner Vergangenheit auseinandersetzen. Dabei gilt. El Camino: Ein „Breaking Bad“-Film (Originaltitel: El Camino: A Breaking Bad Movie) ist ein US-amerikanischer Film, der von Vince Gilligan geschrieben und. El Camino: Ein "Breaking Bad" Film ein Film von Vince Gilligan mit Aaron Paul, Jesse Plemons. Inhaltsangabe: El Camino: A Breaking Bad Movie. Verleiher. 12 Userkritiken zum Film El Camino: Ein "Breaking Bad" Film von Vince ist seit dem Trailer zu El Camino – A Breaking Bad Movie kein Geheimnis mehr.