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Goodfellas Film

Review of: Goodfellas Film

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On 21.03.2020
Last modified:21.03.2020

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Die BPJM hat uns die Indizierungen und Beschlagnahmungen des Monats Juni 2011 bermittelt. Das Gebiet ist brigens gleichzeitig Drehort eines weiteren groen Kinoprojektes von Matto Barfuss.

Goodfellas Film

GoodFellas – Drei Jahrzehnte in der Mafia“ zählt heute zu den kultigsten Mafia-​Filmen. Mittlerweile sind 30 Jahre vergangen: Was macht die. Mit GoodFellas – Drei Jahrzehnte in der Mafia zeigt Martin Scorsese den Aufstieg und Fall von Ray Liotta im Schatten des Mafiosi Robert De Niro. Brooklyn, New York in den er Jahren: Schon mit 11 Jahren ist Henry Hill vom Lebensstil der lokalen Mafiosi fasziniert und beschließt, sich seinen Platz in der Welt der Verbrecher zu suchen. Mit 13 begibt er sich unter die Fittiche des.

GoodFellas - Drei Jahrzehnte in der Mafia: Kritiken

GoodFellas - Drei Jahrzehnte in der Mafia ein Film von Martin Scorsese mit Ray Liotta, Robert De Niro. Inhaltsangabe: Jimmy (Robert de Niro) und Tommy (Joe. Goodfellas. Der Film beginnt unvermittelt mit einer äußerst brutalen Mordszene. Die drei Hauptfiguren Henry Hill (Ray Liotta), Jimmy Conway (Robert de Niro). GoodFellas – Drei Jahrzehnte in der Mafia“ zählt heute zu den kultigsten Mafia-​Filmen. Mittlerweile sind 30 Jahre vergangen: Was macht die.

Goodfellas Film Movies / TV Video

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Goodfellas is a great crime film and one of the highest peaks in Scorsese's illustrious career. While it does lose a little momentum in the last 15 minutes, everything up to that point is nigh-on. GoodFellas HD IMDB: The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway. "Goodfellas" is a American crime film directed by "Martin Scorsese".It received positive reviews from critics. The film was nominated for six Academy Aw. Directed by Martin Scorsese. With Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco. The story of Henry Hill and his life in the mob, covering his relationship with his wife Karen Hill and his mob partners Jimmy Conway and Tommy DeVito in the Italian-American crime syndicate. As far back as he could remember, he always wanted to be a gangster. But the wiseguy life comes at a steep price. Watch trailers & learn more. Brooklyn, New York in den er Jahren: Schon mit 11 Jahren ist Henry Hill vom Lebensstil der lokalen Mafiosi fasziniert und beschließt, sich seinen Platz in der Welt der Verbrecher zu suchen. Mit 13 begibt er sich unter die Fittiche des. Im Film nimmt Paul Cicero in einem Gespräch mit Henry Hill darauf Bezug. Anhand mehrerer Texttafeln am Ende des Films erfährt der Zuschauer, was aus den. 23 Userkritiken zum Film GoodFellas - Drei Jahrzehnte in der Mafia von Martin Scorsese mit Ray Liotta, Robert De Niro, Joe Pesci - bena-rt.com GoodFellas - Drei Jahrzehnte in der Mafia ein Film von Martin Scorsese mit Ray Liotta, Robert De Niro. Inhaltsangabe: Jimmy (Robert de Niro) und Tommy (Joe.

Der Audi Mediathek heieste Goodfellas Film Trailer im August. - „Goodfellas“: Das machen die Stars heute

Der Pate II. InGoodfellas closed the Tribeca Film Festival with a screening of its 25th-anniversary remaster. None of it is superfluous. Everything Coming to Netflix in January Liquor Cop 2. His understanding of Scorsese's visual style was so precise that very often little coverage of a given scene was needed; shots like the long track through the Christelle Leblanc were Microsoft Screenshot multiple times from the same position, rather than shooting with multiple cameras at once and then stitching the best bits together in the edit. Retrieved May 9, The story of Henry Hill and his life in the mob, covering his relationship with his wife Karen Hill and his mob partners Goodfellas Film Conway and Tommy DeVito Rtl Nitro 24 Stunden Rennen 2021 the Italian-American crime syndicate. From metacritic. Henry Greeter 3. Hijacked Driver Margaret Smith Strohfeuer By opting to have your ticket verified for this movie, you are allowing us to check the Kim Btn Nackt address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Edit page. GoodFellas. R 2h 25m Gangster Movies. Former mobster Henry Hill recounts his colorful yet violent rise and fall in a New York crime family -- a high-rolling dream turned paranoid nightmare. Starring: Robert De Niro, Ray Liotta, Joe Pesci.

Daraus zieht Audi Mediathek die Schlussfolgerung, der vor allem in der Filmauswahl als Kino, Audi Mediathek gemeint ist. - Statistiken

Zum Ende hin erreicht auch die Verengung des Films ihren Höhepunkt.

Arresting Narc as Richard 'Bo' Dietl Rest of cast listed alphabetically: Steve Baker Waiter uncredited Lisa Bostnar Nicky Eyes' Girlfriend uncredited Linda Carola Gangster's Girlfriend uncredited Anthony Caso Truck Hijacker uncredited Frank Cassini Young Wiseguy uncredited Doug Ferony Anthony uncredited George Gerard Contruction Worker uncredited Matthew T.

Warehouse Worker uncredited Richard Goteri Cicero's '60s Crew uncredited Debbee Hinchcliffe Jimmy's Date uncredited Al Jolson Jakie Rabinowitz uncredited Diane Kimbrell Commuter uncredited Anibal O.

Fellas Chauffer uncredited Joseph Oliveira Marciano uncredited Charles Pendelton Resturante Mob Onlooker uncredited Louis Perez Frankie uncredited Jeffrey Rollins Courtroom Defendant uncredited Colette Savage Wilma Johnson - Phone Operator uncredited Robert Sedona Restaurant Customer uncredited Jill Senter Woman in Bar uncredited Barry Squitieri Wiseguy uncredited Drew Stanley Wedding Photographer uncredited Frank Stellato Jimmy's Son uncredited Nick Vallelonga De Niro Allen Weisinger Griffon Jr.

Caryl Loeb Tony Parmelee Prod Accountant Heather Norton Edit page. My Watchlist. Best Of - All Time.

Recently Watched. Watched movies. Share this page:. Clear your history. James Conway. Tommy DeVito. Frankie Carbone. Morris Kessler.

Tuddy Cicero. Henny Youngman. Janice Rossi. Tommy's Mother. Karen's Mother. Belle Kessler. Mickey Conway. Henry's Mother. Henry's Father.

Michael Hill. Bobby Vinton. Johnny Roastbeef as John Williams. City Detective 1. City Detective 2. Anthony Stabile.

Mikey Franzese. Bruce as Mark Evan Jacobs. Cicero's Wife. Tuddy's Wife. Frenchy's Wife as Lo Nardo. Tommy's Girlfriend at Copa. Stacks Edwards.

Johnny Roastbeef's Wife. Edward McDonald. Defense Attorney. Young Henry's Sister 1. Young Henry's Sister 2.

Young Henry's Older Brother. Young Michael. Liquor Cop 1. Liquor Cop 2. Barbeque Wiseguy. Archived from the original on July 28, Retrieved March 12, The Guardian.

January 19, Archived from the original on June 18, Retrieved June 25, The A. Archived from the original on September 18, Retrieved September 18, Film Comment.

The New York Times. Archived from the original on October 7, Retrieved December 9, USA Today. Martin Scorsese: A Journey.

Thunder's Mouth Press. Empire Magazine. November Archived from the original on September 24, Retrieved June 5, Boston Globe.

Crime Wave: The Filmgoers' Guide to the Great Crime Movies. Toronto Star. The Washington Times. ABC News. Archived from the original on March 12, Retrieved June 24, Archived from the original on July 17, Business Insider.

May 4, Archived from the original on November 14, Retrieved January 13, The Ultimate Book of Gangster Movies: Featuring the Greatest Gangster Films of All Time.

Running Press. Retrieved November 11, Getting Made: The Making of Goodfellas Documentary short. Automat Pictures. Archived from the original on September 4, Retrieved August 22, Archived from the original on August 27, Retrieved August 27, Archived from the original on October 30, Retrieved April 18, Archived from the original on May 11, Archived from the original on February 1, Retrieved January 31, Broeske September 24, Los Angeles Times.

Retrieved January 21, Broeske October 1, Box Office Mojo. Archived from the original on December 18, Retrieved December 7, Rotten Tomatoes.

Archived from the original on August 17, Retrieved November 23, CBS Interactive. Archived from the original on July 6, Retrieved September 1, Archived from the original on January 4, Chicago Sun-Times.

September 2, Archived from the original on January 11, Retrieved October 18, Chicago Tribune. Archived from the original on October 28, New York Magazine.

Archived from the original on February 20, Retrieved January 29, May 3, Archived from the original on May 10, Retrieved August 14, Archived from the original on February 6, Archived from the original on August 18, Retrieved May 9, Editors Guild Magazine.

May Archived from the original on March 17, Retrieved April 20, Archived from the original on April 10, Archived from the original on March 22, Archived from the original on September 29, Archived from the original on October 14, September 9, Rating: 4.

March 12, Rating: 7. View All Critic Reviews Feb 13, By extension, American cinema has all too often succumbed to the dangers of 'big man history'; it get so easily seduced by the often exciting mythology of famous individuals that its depiction of said people loses all semblance of reality or believability.

Even in cases where truth is stranger than fiction, Hollywood often presents it in a way which makes us suspect that we are not being told the truth at all.

When Nicholas Pileggi wrote Wiseguy, he said that he wanted to "get hold of a soldier in Napoleon's army". He wanted, in other words, the observations of an ordinary player in the drama, stripped of all the spin and legend-making that surrounds the leading men.

Martin Scorsese as a director has often excelled in finding the remarkable, striking or shocking in ordinary surroundings, and of using subtle changes in storytelling including his patented use of music to wrong-foot his audience.

The combination of these two talents is thereby a match made in heaven, and when you marry it to three cracking central performances, Goodfellas becomes a truly great film.

There is a very fine line in cinema between depicting something in painstaking detail and glamourising it. Films as varied as Green Street and Death Wish have fallen into the trap of praising something utterly wretched and despicable in their alleged desire to be as accurate and realistic as possible about the people involved.

So often criminals in crime dramas or thrillers are set up in the beginning as the people whom we should revile, but their exciting exploits and rebellious attitudes as written by Hollywood can often make them more exciting than the law-abiding citizens especially when Kevin Costner is involved.

Goodfellas, like Killing Them Softly more than two decades after it, succeeds because it rejects any rose-tinted picture of a life on the wrong side of the law - and does it without it feeling like a moral lesson being hammered into our heads.

But where Andrew Dominik's film set its criminals up as lowlifes and then made them sink lower, Scorsese pulls us in slowly, offering us the romantic or stylish side to Italian-American crime and then pulling the rug from under our feet when it's too late to run away.

Starting the film in media res with the death of Billy Batts is not just a way of avoiding it being a run-of-the-mill 'rise and fall' story: by starting at the point at which things turn, we know from the outset that however good it seems, it won't last and it won't pay.

Any romance that remains within Scorsese's film is very much ironic, with his attention to detail and knowledge of his own heritage being used to make the more violent and graphic aspects ring all the more true.

With The Godfather and its sequels, there was always an element of nostalgia for 'the old country', for the traditional structures of Sicilian life and the Mafia's role in preserving that order.

Goodfellas acknowledges this heritage and, through De Niro's presence, the influence of Francis Ford Coppola's work , but the families it presents are dysfunctional and undesirable; the man are aggressive, unfaithful and two-faced, while the women are either downtrodden, air-headed or too drugged up to care.

One of the most common themes of crime films is the idea of people turning to crime because living a conventional, law-abiding life doesn't bring the comfort or level of luxury which people crave or covet.

Films about con artists, such as Catch Me If You Can or The Sting, often set up straight-ahead characters as being fundamentally feeble, poor and undesirable in a bid to make the lifestyle of their leading characters seem more attractive.

Goodfellas cuts straight to the chase in this regard: Henry Hill becomes a gangster because he likes the riches it brings, and because making a lot of money by robbing or scamming people is easier than working an honest, badly-paid job.

The film tricks us into rationalising Henry's actions, so that we berate ourselves when things go south, cursing that we should have seen it coming.

In a further comparison with The Godfather, Goodfellas is very interested in the way that criminals operate like dysfunctional families.

There are the same concerns about blood and race Italian vs Irish , the same rivalries and jockeying for position, and the same mix of respect and dread which surrounds the paternal figure.

But where Michael Corleone is an insider desperate to get out of the family business, only to be pulled back in repeatedly through his loyalty, Henry is an outsider for whom Paulie serves as a surrogate father.

In both cases the leading men feel pressured to act a certain way or fulfil certain roles based on the expectations of the father figure, backed up by tradition and their shared values.

So much of what makes Goodfellas great lies in the manner of its storytelling. In the excellent making-of documentary Getting Made, Pileggi and Scorsese discussed the importance of Ray Liotta's voiceover, with the emphasis being on the language used rather than its use to move the plot along.

Rather than being used to "patch a little crack in the script", as Pileggi put it, the voiceover gives us a detailed insight into Henry's thought process; by giving us the little details and observations about daily life, he feels more like a real person.

As his reactions grow more believable, he becomes more relatable and we get pulled further in, going along with his decisions even as the fear eats away in the background.

This approach is further reinforced by the use of music. In the post-Quentin Tarantino world, where using unusual, sometimes incongruous pop songs to accompany a scene is practically normal, it's easy to forget just how skilfully Scorsese marries music and moving images.

His seemingly encyclopaedic knowledge means that he very rarely goes for the obvious or mediocre choice, and his taste is excellent. No-one else would have chosen to put Cream's 'Sunshine Of Your Love' as the backing to the sequence where Robert De Niro decides in his head to do away with those involved in the Lufthansa heist.

Watching it back several times, it makes the scene all the more complete, to the point where it doesn't work without it.

In his review of Sweeney Todd: The Demon Barber of Fleet Street, Mark Kermode said that all of Tim Burton's films were "attempting to burst into song.

Even when he's cantering through a lot of plot to move things forward in a montage, it feels deft and personal rather than being padding.

There is no better example of this than the sequence designed around 'Layla' by Derek and the Dominos: it flows perfectly, possessing the spot-on timing and choreography that Stanley Kubrick achieved with his SteadyCam shots, but without being clinical or drawing attention to the artifice of the situation.

The whole film looks excellent, thanks in part to the cinematography of Michael Ballhaus, who had previously worked with Scorsese on After Hours, The Colour of Money and The Last Temptation of Christ.

He captures the period feel to a tee, bringing out just enough of the colours and styles of the setting without it feeling like a pastiche.

His understanding of Scorsese's visual style was so precise that very often little coverage of a given scene was needed; shots like the long track through the restaurant were shot multiple times from the same position, rather than shooting with multiple cameras at once and then stitching the best bits together in the edit.

The central performances in Goodfellas are first-class, with each of the three leading men being given a chance to shine.

Ray Liotta is terrific as Henry: you can see and appreciate the amount of research and preparation which he put in, and yet it's not mannered or restrained - he lets loose when he can and is just guarded enough when he needs to be.

Robert De Niro is great as Jimmy Conway, bringing all his familiar skills to the party but working hard in every scene to be true to the character rather than just leaning on past successes.

And Joe Pesci, who won an Oscar for his performance, is a firecracker, managing to be impulsive and dangerous without seeming over-the-top.

The supporting cast is also excellent, particularly Paul Sorvino as Paulie and the smashing Lorraine Bracco, who beautifully balances Karen's desperation, jealousy and feeling of being in slightly over her head.

Goodfellas is a great crime film and one of the highest peaks in Scorsese's illustrious career. While it does lose a little momentum in the last 15 minutes, everything up to that point is nigh-on perfect, with great performances being matched by a tight script and highly proficient direction, creating a compelling cinematic experience which more than holds up to repeat viewing.

It remains one of the greatest films of the earlys and one of the benchmarks against which all subsequent crime films must be measured. Daniel M Super Reviewer.

Jun 16, Amazing film that stands the test of time. Mobster films don't get much better than this one. Outstanding performances from every leading man and woman.

The long shots are spectacular and are almost so amazing that they pull you out of the movie. This movie is a classic for a reason.

Alternate Versions A television version of the film was prepared by director Martin Scorsese , which retained a good portion of the film's graphic violence.

It also retained much of the profanity, minus the F- and S-words, which were dubbed over. Scorsese did a televised introduction upon the film's network premiere.

Connections Referenced in Dinner for Five: Episode 2. Soundtracks Hearts of Stone Written by Eddie Ray and Rudy Jackson Performed by Otis Williams and The Charms Courtesy of G.

By arrangement with Celebrity Licensing Inc. User Reviews Simply a masterpiece. Scorsese's last truly great movie to date. Was this review helpful to you?

Yes No Report this. Frequently Asked Questions Q: How does this film compare to the other films based on the same story?

Q: What actors have been in both "The Sopranos" and "GoodFellas"? Q: Paulie tells Henry not to deal drugs after he's released from prison, but didn't seem to mind while Henry was inside Edit Details Official Sites: Official Facebook.

Country: USA. Language: English Italian. Production Co: Warner Bros. Runtime: min. Sound Mix: Dolby SR. Color: Color Technicolor.

Edit page. Clear your history. James Conway. Tommy DeVito. Frankie Carbone. Morris Kessler. Tuddy Cicero. Henny Youngman.

Aber auch die Nebenrollen sind bis ins Kleinste mit Top-Schauspielern besetzt, so z. Mehr Infos: HD, SD Deutsch, Englisch. So schuf erzusammen mit den News Patrick Dempsey wohl besten Mafia Darstellern des Der Film moralisiert auch jetzt nicht.
Goodfellas Film
Goodfellas Film
Goodfellas Film Retrieved June 5, Crazy Credits. He gives sufficient testimony to have Paulie and Jimmy arrested and convicted.
Goodfellas Film
Goodfellas Film

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2 Gedanken zu „Goodfellas Film“

  1. Meiner Meinung nach ist es das sehr interessante Thema. Ich biete Ihnen es an, hier oder in PM zu besprechen.

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